Month: July 2021
Pages of the Family Bible
Especially Clear and Glittery
Only So Many Destinations
A River I Am Not Afraid to Cross
Emotionally Vivid but Otherwise Unspecified
Complex Interlacements of Identity
Morning coffee close but not too close to a swallow’s nest. When you’re trapped in Max Ernst’s body of work everything feels like Italy at the end of the nineteenth century. Mist on the river thickest where it’s flanked by cornfields. Blowing kisses. Shades of blue, shades of not knowing and being okay with it. We laugh waking up, our bodies stiff and soft, apparently readying themselves for some journey we only barely understand. I took prayer too seriously for a long time and though understandable the effects were painful. The hay loft is full of prisms, my glass bluebird collection, guitars and banjos and penny whistles, a lot of polished stone and crystal. Sunlight streams through maple trees at the foot of the hill, somewhere between orange and yellow with hints of pink. Let’s reinvent us! Other times not seriously enough and honestly it’s impossible to tell the difference so I’ve mostly given up. Ant hills moist with dew. Another swallow. A dozen small birds on the phone lines nearby, obviously visitors from a past life, but which one? Draping sweaty work clothes over the cold radiator to dry for tomorrow. In a dream a couple sentences related to awakening to reality from which I woke up thinking “not this again.” Skies are just big spaces full of light but rivers are complex interlacements of identity. These arms were made to make windmills! Or as we say behind the church, discovering in one another an actual helpful scripture, “om shanti shanti shanti amen.”
The Last Chalice
Hauling laundry off the line in mid-afternoon, timing it so most of the late-arriving rain misses it. Walter Benjamin’s Critique of Violence. Yet at times I am still scared of going hungry – going under? – and act accordingly. We kissed on the steps of City Hall, holding hands in the December cold, beautiful and sincere, breath gusting after, like carolers in the nineteenth century. Letting certain calls go to voicemail, later regretting it. Molasses cookies with extra raisins. We drive between towering pine trees to the beach, let the dog off the leash and walk all the way to the canal together, not talking. When at a certain point in our living we knew what books the other needed most. Butterfly lists. Steering by stars, knowing how. The many shades of moonlight filtering over the lawn, apple trees, run-in, far hills, Emily Dickinson’s grave, the sea. The last chalice is beyond us now, the church in which we encountered it folded up into an envelope. Look at me arguing about the mail with shrineless gods who adore conflict.
Terrified or in Mourning
Afternoon rain, the nineteenth century briefly visiting, percolating in thick blood, dark grounds, your funeral or mine, etc. Profluent green landscapes in which poetic compositions lean to the baroque. Muted barks of distant and thus nameless dogs. In my mind a black bear is always on the move, always drawing closer to my heart’s capacity for imagining itself outside itself. There was more space in the world back then, and less to be scared of, and even in winter we were outdoors all the time. After working in the garden almost until noon, we come in and reheat the night before’s rice and beans, finding not much to talk about, as if the past month were the very aberration we’d feared all along. The trail past the horse pasture narrows to an uncomfortable degree, raspberry prickers dragging our skin. This quiet is almost ready to give up speech, never mind writing. Faint breezes move tree limbs up and down like men in the 1930s greeting one another after church. Why am I always so surprised to still be here? Here, the house eaves weep see-through tears and all the birds are silent as if terrified or in mourning. Tell me again what your favorite book from childhood was?